Keywords
Admittance - impedance - immittance - tympanometry - stapes reflex
Learning Outcomes: As a result of this activity, the participant will be able to (1) describe impedance
and how it is related to acoustic reflectance and absorbance, and (2) describe the
basic techniques for measuring immittance and reflectance and be able to list the
standards associated with these measures.
Although physicians and audiologists have used bone conduction testing for over a
century to help determine the amount of conductive hearing loss in a patient, it has
only been in the past 50 years or so that attempts have been made to determine the
nature of the conductive hearing loss without actually opening the ear. Initially
two parallel tracks were taken—one to determine how much sound penetrated the eardrum
(acoustic impedance) and the other to determine if the eardrum was moved by contraction
of the middle ear muscles (acoustic reflex). Related techniques for independently
assessing sound conduction through the eardrum and middle ear have since been developed,
notably tympanometry, which allows relatively easy separation of the contribution
of the air in the ear canal from the measured impedance, and reflectance, which tells
us how much sound is reflected from the eardrum. At present there is no national standard
that yields absolute values for any of these procedures—aural acoustic impedance,
aural acoustic admittance, tympanometry, acoustic reflex, or acoustic reflectance.
However, there are American National Standards Institute (ANSI) and International
Electrotechnical Commission (IEC) standards that describe procedures for calibrating
the equipment used to make most of these measurements (with the exception of reflectance).
The ANSI standard (ANSI S3.39-1987) was developed in 1987 and has been reaffirmed
several times since then, but it has not been revised. The IEC standard (IEC 60645-5)
was adopted in 2004.
In this article, we discuss some of the procedures for calibrating equipment used
in measurements of acoustic immittance, reflectance, tympanometry, and acoustic reflex
and some of the theoretical and mathematical bases of these measures. The discussion
also will show some of the problems inherent in these measures as currently defined
and used.
Background and History
To understand the problem, we should remember that when acoustic impedance and acoustic
reflex measures were first introduced in the 1960s and early 1970s, although there
were tuning fork tests, there was no standard for calibrating bone conduction testing
(even though it was provided with most audiometers). Furthermore, computed tomography,
magnetic resonance imaging, and other imaging procedures were not yet available for
assessing middle ear problems. Thus, the surest ways to determine the presence and
etiology of a conductive hearing loss was to otoscopically assess and surgically open
the middle ear.
Work by Zwislocki designed to understand the physical characteristics of the ear[1] led to the development of an acoustic impedance bridge, an acoustic impedance-measuring
device used to assess how sound power entered the middle ear. Later, Zwislocki and
Feldman[2] showed that various conductive lesions yielded different acoustic impedance results.
This acoustic bridge, which is no longer commercially available, allowed one to determine
the resistance and reactance components of impedance at various frequencies. The bridge
required the clinician to physically measure the volume of the ear canal, using warmed
alcohol, and then to compare the sounds produced by a sound source coupled to the
ear canal with the sound produced in a reference load of known acoustic impedance
by the same source. The reference load was constructed from a series of tubes of controllable
volume and cross section, which permitted the operator to dial up impedances with
well-defined resistance and reactance. The sound source, the ear canal, and the reference
impedances were so arranged that the sound produced in the two loads canceled one
another when the reference impedance and the ear canal impedances were equal. The
operator adjusted the reference impedance until cancellation occurred, then read the
settings on the reference impedance and corrected for the impedance due to the volume
of air in the ear canal to define the impedance of at the patient's eardrum.
Although the acoustic bridge was demonstrated to identify the aural impedances associated
with various middle ear pathologies,[2] practical problems associated with this method (e.g., measuring the volume of the
ear canal and the development of reference impedances that matched the ear's impedance
over a broad frequency range) led to the development of new electroacoustic instruments
to determine the impedance at the eardrum. Those instruments typically measured the
impedance at low frequencies, usually 226 Hz and, in fact, the ANSI standard only
requires that modern instruments produce measurements for that frequency. Around the
same time, that Zwislocki began his work, work in Europe by Terkildsen and Thomsen[3] and Terkildsen and Nielsen[4] showed that one could change the impedance at the eardrum by altering the static
pressure in the ear canal.
At this point, it should be made clear that although the principles of acoustics easily
describe the acoustic impedance of hard-walled cylindrical tubes or cavities, the
ear canal is neither hard walled nor truly cylindrical. Thus, although impedance measurements
made in the canal relate (and correlate well, at least at frequencies below 500 Hz)
to the impedance at the eardrum, they can be significantly influenced by the dimensions
and shape of the ear canal and the stiffness and density of the ear canal wall. This
limitation is a serious problem when trying to measure the impedance of the infant
ear, because their canal walls are quite flaccid.[5]
[6] This is less of a problem in older children and adults,[7] and the pressure variation-based tympanometric procedure described by Terkildsen
and his colleagues[3]
[4] for separating the movement of the eardrum in the ear canal from the compressibility
of the air in the residual canal depends on the constancy of the ear canal volume
regardless of static pressure.
Finally, in this same period, Djupesland[8]
[9] and Borg[10] discovered that contractions of the stapedius muscle altered the impedance at the
eardrum. This led to the observation that impedance measurements could provide insight
into the mechanics of the middle ear, as well as the neural pathways that lead to
the contraction of the stapedius muscle. In the latter circumstance, the detailed
characteristics of the ear canal were not so important because one need only detect
a change in impedance due to a reflex muscle contraction and detect whether or not
the contraction diminished over time.[11] Regarding the differential diagnosis of conductive hearing loss, the presence of
sound-induced changes in impedance produced by the reflex is an indication of ossicular
normality, and the lack of such an impedance change is an indication of ossicular
abnormality and conductive hearing loss.
The complexities of the ear canal and the shape of the eardrum make it difficult to
ascertain precisely the impedance of the eardrum and the attached middle and inner
ear. As an aside, when work first began on developing standards for acoustic impedance,
the geometric assumptions needed to compute the impedance, within the complex-shaped
ear canal and the nonplanar shape of the eardrum, led the standard committee to question
whether one could actually measure acoustic impedance at the eardrum in humans. This discussion resulted in the coinage of the term aural acoustic immittance, which is a combination of impedance and admittance and specifically relates to the
ear. But, just as we know that measuring sound in a coupler for pure tone audiometry
does not tell us the exact level of the sound reaching the eardrum, let alone what
the stimulus is within the inner ear or reaching the auditory cortex, such measurements
do ensure (1) our instrument has not changed over time, (2) our instrument measures
the same thing as a similar instrument, (3) individual results do or do not that change
over time, and (4) accurate comparisons to national and international norms. Although
it is often presumed that acoustic reflectance is not as easily contaminated by the
vagaries of ear canal and eardrum structure, there is no standard at this time for
measuring reflectance, such that calibration methods are determined by the manufacturer
and comparisons between different devices rely on interested and involved clinicians
and scientists (e.g., Shahnaz et al[12]).
Standards for Acoustic Immittance and Reflectance Measurement
Standards for Acoustic Immittance and Reflectance Measurement
As we have seen, the measurement of acoustic immittance and reflectance in the human
ear canal are common tools in the investigation and differential diagnosis of the
causes of hearing loss, and there are several U.S. and international standards relevant
to this use, including:
-
ANSI S1.1-2013 Acoustic Terminology. As its title suggests this standard is relevant
to both the definitions of the different quantities discussed, and to the nomenclature
used in this article.
-
ANSI S3.39-1987 [R 2012] Specifications of Instruments to Measure Aural Acoustic Impedance
and Admittance (Aural Acoustic Immittance). (Note: The use of the extension [R 2012]
means that this was reaffirmed in 2012.) This standard references the precursors to
ANSI S1.1-2013 and defines a relevant subset of the important quantities and nomenclature.
It also describes specifications and calibration apparatus relevant to traditional
low-stimulus-frequency tympanometers and devices for evaluating the contraction of
the middle ear muscles.
-
IEC 60645-5 Electroacoustics—Audiometric Equipment—Part 5: Instruments for the Measurement
of Aural Acoustic Impedance/Admittance, adapted by the International Electrotechnical
Commission in November of 2004. This standard has substantial overlap with ANSI S3.39-1987.
These standards are listed in [Table 1] and are referred to throughout this article. Terminology defined in the standards
will first be introduced by italicized text, followed by a reference to the appropriate
standard. [Table 2] summarizes the symbols that refer to the physical quantities associated with determining
acoustic impedance and admittance.
Table 1
Standards That Are Relevant to Measures of Acoustic Impedance/Admittance/Reflectance/Absorbance
ANSI S1.1-2013
|
American Nation Standard Acoustic Terminology
|
ANSI S3.39-1987 (R 2012)
|
American National Standard Specifications of Instruments to Measure Aural Acoustic
Impedance and Admittance (Aural Acoustic Immittance)
|
IEC 60645-5 Ed. 1: 2004
|
Electroacoustics—Audiometric equipment—Part 5: Instruments for the measurement of
aural acoustic impedance/admittance
|
ANSI, American National Standards Institute; IEC, International Electrotechnical Commission.
Table 2
List of Terms and Abbreviations
Quantity
|
Symbol
|
SI Units
|
Derived Units
|
Acoustic admittance
|
Ya
|
m3-Pa−1-s−1
|
Acoustic siemens
|
Acoustic conductance
|
ga
|
m3-Pa−1-s−1
|
Acoustic siemens
|
Acoustic susceptance
|
ba
|
m3-Pa−1-s−1
|
Acoustic siemens
|
Admittance phase angle
|
φa
|
Radians
|
|
Acoustic impedance
|
Za
|
Pa-m−3-s−1
|
Acoustic ohms
|
Acoustic resistance
|
ra
|
Pa-m−3-s−1
|
Acoustic ohms
|
Acoustic reactance
|
xa
|
Pa-m−3-s−1
|
Acoustic ohms
|
Impedance phase angle
|
φz
|
Radians
|
Radians
|
Acoustic mass (inertance)
|
Ma
|
Pa-m−4
|
|
Acoustic compliance
|
Ca
|
m3-Pa−1
|
|
Equivalent volume
|
Ve
|
m3
|
1 m3 = 106 cm3
|
Ambient pressure
|
ps
|
N-m−2
|
Pa
|
Sound pressure
|
P
|
N-m−2
|
Pa
|
Sound pressure phase angle
|
φp
|
Radians
|
Radians
|
Particle velocity
|
|
m-s−1
|
|
Volume velocity
|
U
|
m3-s−1
|
|
Sound pressure phase angle
|
φu
|
Radians
|
Radians
|
Static density
|
ρ0
|
kg-m3
|
|
Velocity of propagation
|
c
|
m-s−1
|
|
Sound pressure reflection coefficient
|
R
|
Dimensionless
|
Dimensionless
|
Phase of the sound pressure reflection coefficient
|
φR
|
Degrees
|
Degrees
|
Power reflection coefficient
|
R
|
Dimensionless
|
Dimensionless
|
Sound absorbance
|
A
|
Dimensionless
|
Dimensionless
|
ratio of specific heat of a gas
|
γ
|
Dimensionless
|
Dimensionless
|
Abbreviation: SI, System International.
The Quantification of Sound: Sound Pressure and Volume Velocity
The Quantification of Sound: Sound Pressure and Volume Velocity
Sound in a medium such as air is associated with net repeated forward and backward
variations in the position of small collections of molecules of the medium ([Fig. 1]). Each particle contains a quantity of molecules large enough that random molecular
motions average to zero, thereby revealing the net average motion imposed on the particles
by sound. As the driven particles move back and forth in the sound field, toward and
away from each other, the density of the particles in the field varies, and associated
with the variations in density is a variation in local pressure. The root mean square
(rms; a measure of the time averaged absolute value of a quantity) pressure variation
around the baseline pressure (the static pressure, 2.58: ANSI S1.1-2013) defines the magnitude of the sound pressure (P, 2.59: ANSI-S1.1-2013), which is easily measured by a microphone. The standard unit
of sound pressure is the pascal (Pa). The rms sound pressure is the root of the mean
of the square of the time-dependent deviations around the static baseline pressure
and is mathematically equivalent to the standard deviation around the baseline. The
magnitude of motion of the particles of air is more difficult to measure, but is usually
defined in terms of the rms particle velocity (2.63: ANSI S1.1-2013) with units of meters per second (m/s−1). When dealing with enclosed spaces, such as tubes, we can quantify the particle
motion in terms of a volume velocity (U, 2.65: ANSI S1.1-2013), when we assume, usually with a good degree of accuracy, the
velocity of the air particles is constant across a cross section of the tube that
is orthogonal to the direction of sound propagation (a plane wave, 5.14:ANSI S1.1-2013), the volume velocity equals the product of the rms velocity
of the air particles and the cross-sectional area of the tube and has units of (cubic
meters per second, m3-s-1; [Fig. 1]).
Figure 1 Particle velocity and volume velocity. (Top) A 100-Hz tone propagating down a uniform
cylindrical air-filled tube of radius a, sets a “particle” of the air medium into back and forth motion, with a peak-to-peak (3.15: ANSI S1.1-1994) particle displacement equal to x meters. The root mean square (rms) displacement of the particle equals x/(2)
= x/2.82 m. The rms back-and-forth velocity of the particle is the product of the rms
displacement and the radian frequency of the tone: rms velocity (V, with units of m/s) = 2 π 100 (Hz) x/2.82 (m). (Bottom) Calculation of the volume velocity assumes that all of the air
particles in the same cross-sectional plane of the tube (the dotted line in the top
tube) move together (the uniform-plane wave approximation). The gray region in the
bottom tube describes the volume displaced by the plane of particles as it moves back
and forth in the sound wave and has a volume equal to the product of the peak-to-peak
displacement x and the area of the tubal cross section π a
2. The rms volume displaced by the particles as they move back and forth is the product
of the rms particle displacement and the area of the tube = (x/2.82) π a
2. The rms volume velocity (the time rate of change of the displaced volume) equals
the product of the rms velocity and the area of the tube = (2 π 100 x/2.82) π a2
, with units of m3/s.
Acoustic Immittance: Impedance or Admittance
Acoustic Immittance: Impedance or Admittance
The acoustic impedance and admittance are related quantities that depend on the ratio
of sound drive (the sound pressure) and sound flow (the volume velocity of sound).
When defined at the eardrum, the entrance to the middle ear, these quantities help
determine the work done by the sound in moving the eardrum and ossicles. In the case
of tonal stimulation at varied stimulus frequency (f) in a tube or ear canal, the ratio of the sound pressure P(f) to the volume velocity in the tube (or canal) U(f), defines the acoustic impedance Za
(f) (6.41: ANSI S1.1-2013) at the point of measurement, which generally depends on f: Za
(f) = P(f)/U(f). The acoustic impedance describes the sound pressure needed to produce a unit measure
of volume velocity in the tube, and the impedance value is related to the physical
properties of the fluid and the container that restricts fluid motion. This is analogous
to the generalization of Ohm's law to time varying electric signals, where the time-varying
voltage (E, the analog of sound pressure) is related to the current (I, the analog of the volume velocity) by the electrical impedance (Ze
(f)), where the electrical impedance can be defined as the ratio of measurements of
the voltage and the current: Ze
(f) = E(f)/I(f).
In a short air-filled tube (the length of the tube is less than 0.1 of a wavelength)
open at both ends, the mass of the air particles dominates the acoustic impedance.
The compressibility or compliance of the air dominates the impedance in a short tube
that is closed at the far end (e.g., by a higher impedance eardrum). In narrow air-filled
tubes, the viscosity of the air can contribute to the impedance. In longer tubes,
the impedance depends on a combination of mass, compressibility, and viscous and other
losses. The unit of acoustic impedance is the acoustic ohm, which describes the ratio
of sound pressure (in Pa) per volume velocity (m3-s-1), where 1 acoustic ohm = 1 Pa-m-3-s. Acoustic admittance Ya
(f) is the ratio of volume velocity to sound pressure, that is, Ya
(f) = 1/Za
(f), and describes the volume velocity required to produce a unit of sound pressure
(6.47: ANSI S1.1-2013). The units of acoustic admittance are acoustic siemens, where
1 acoustic siemen = 1 m3-s-1-Pa-1. Admittance and impedance are often grouped under the rubric immittance (6.18: ANSI S1.1-2013).
Although we have defined the impedance and admittance in terms of the frequency-dependent
P(f) and U(f) associated with tonal stimulation, we have simplified this description by ignoring
the phase of the measured pressures and volume velocities. In a linear system, a sinusoidal
input produces sinusoidal responses, and the responses produced by a tonal stimulus
can differ from the input in terms of the magnitude (which we quantify in terms of
the rms amplitude), and phase (which describes the relative timing of the sinusoidal responses, 2.23: ANSI S1.1-2013).
A complete description of the system's response requires knowledge of both of these
response properties. In particular the impedance magnitude |Za
(f)| is defined by the ratio of the magnitudes of the sound pressure |P(f)| and the volume velocity |U(f)|. The impedance phase angle φZ
(f) equals the difference between the response phase of the sound pressure φP
(f) and the phase of the volume velocity φU
(f).
An alternative form that quantifies the magnitude and phase angle of impedance and
admittance is to describe these quantities in terms of complex numbers with a real
part and an imaginary part, for example, Za
(f) = ra
(f) +i xa
(f), where i is the imaginary number equal to
This relationship is graphically described in [Fig. 2]. The real part of the complex impedance is the resistance ra
and the imaginary part is the reactance xa
, where both of these factors can vary with stimulus frequency. Similarly, we can
define the admittance in terms of its conductance ga
and susceptance ba
, where Ya
(f) = ga
(f) + i ba
(f). It is important to realize that Ya
(f) = 1/Za
(f), ra
(f) does not generally equal 1/ga
(f) nor does xa
(f) generally equal 1/ba
(f).
Figure 2 An illustration of the relationship between the real and imaginary components of
a complex number and the magnitude and angle of the complex value. The real ra
and imaginary xa
components of a complex impedance Za
are illustrated as the two coordinate values on the real-imaginary plane. The complex
value (Za
= ra
+i
xa
) is represented by the plotted point. The length of the line connecting the point
to the origin is the magnitude of the complex value |Za
|. The angle between the line and the “real” axis is the phase angle of the complex
value φ Za
.
There is another common unit of admittance magnitude that is applied to admittances
governed either by the compressibility of the medium or the compliance of the tubal
boundaries. The admittance of the human eardrum or tympanic membrane (TM) at frequencies
below 400 Hz is dominated by the compliance of the TM, its coupled ossicles, and their
supporting ligaments. Such compliant admittances can be quantified in terms of the
equivalent volume Ve
of air (5.11: ANSI S3.39-1987) that has an identical admittance magnitude. Specifically,
the magnitude of admittance of a volume of air within a small closed cavity (where
small is determined by comparisons of the cavity dimensions to the wavelength of the
sound, and is generally defined as linear dimensions that are less than one-tenth
of a wavelength) can be determined from the following:
where f is frequency in Hz; Volume is defined in m3, γ is the ratio of specific heat ∼ 1.4 for the diatomic ideal gases in air, and ps
is the static ambient atmospheric pressure of ∼ 100,000 Pa. If instead of System
International (SI) units, we use the older centimeter-gram-second units (where |Ya| is defined in terms of cm5-s−1-dyne−1, Volume is defined in cm3, and p
S = 1 million dyne-cm−2) and evaluate the expression at 226 Hz, we find that an air volume of 1 cm3 gives rise to an admittance of 1 milli-cgs admittance unit, the mho, where 1 cgs
mho = 1 cm5-s−1-dyne−1. Simply put, at 226 Hz, an admittance magnitude of 1 millimho (=1 mho−3) is produced by an air-filled cavity that is 1 cm3 in volume, an admittance magnitude of 0.5 mho−3 is produced by an air-filled cavity that is 0.5 cm3 in volume, and so on. Because the admittance produced by a closed air space depends
on f, the equality of the value of the equivalent volume in cm3 and the value of the admittance in mho−3 only occurs at 226 Hz. Indeed the simplifying equality at that frequency is the root
of the ANSI and IEC standards' call for measuring tympanograms at 226 Hz.
Pressure Reflectance
Pressure reflectance measured in the ear canal is another measure of the difficulty
in setting the eardrum and ossicles into motion, where large amounts of sound pressure
reflected from the eardrum are associated with reduced eardrum motions. Mathematically,
acoustic reflectance is related to the acoustic impedance, in that reflections occur
at boundaries where the acoustic impedance changes. For example, consider a cylindrical
air-filled tube of radius a (such as in [Fig. 1]) terminated at one end by an acoustic impedance of value Za,T
(f) with magnitude and angle. The subscript T is used to define the location at the termination of the tube. Sound waves that propagate
from the open end of the tube toward the termination are carried by the air channel,
where sound propagation down the channel is related to the tube's characteristic acoustic
impedance Z
0, which equals the product of the static density of air (ρ0) and the propagation velocity of sound (c) divided by the cross-sectional area of the tube, that is, Z
0 = (ρ0 c)/(π a
2). The sound pressure reflection coefficient (10.05: ANSI S1.1-2013) at the termination RT
(f) is a complex quantity (with a magnitude and phase) related to Z
0 and Za,T
(f) by the following:
RT
(f) defines the ratio of the sound pressure in the wave reflected from the termination
to the sound pressure in the wave moving toward the termination.[13]
[14]
The sound pressure reflection coefficient also can be quantified any distance x from the termination R(x, f) that is still within the tube. In the case of a straight tube of uniform cross-sectional
area throughout (e.g., [Fig. 1]), the magnitude of the pressure reflectance does not vary with x,
, but the angle of the pressure reflectance varies regularly with x,
.[15] Therefore, knowledge of the dimensions of the tube and the magnitude and phase of
the terminating impedance Za,T
(f) can be used to compute the pressure reflectance at any x position in the tube. Conversely, knowledge of the tube dimensions, the distance
x between the measurement point and the termination, and the magnitude and angle of
R(x, f) are needed to compute the terminating impedance Za,T
(f).
Power Reflectance and Absorbance
Power Reflectance and Absorbance
In the previous section, we noted that in a straight tube of uniform cross section,
the magnitude of the pressure reflection coefficient is invariant with distance from
the reflecting surface, but the angle of the coefficient varies regularly with that
distance. There is another coefficient, the sound power reflection coefficient (10.04: ANSI S1.1-2013), that has no angle and remains constant throughout the tube,
with a value equal to the square of the magnitude of the pressure reflection coefficient
at the termination:
. The constancy of the power reflection coefficient in a uniform tube is an attractive
feature that allows assessment of the power reflectance at the tube's termination
from any location within the tube. However, deviations from a uniform tube can influence
the power reflection coefficient[16] and complicate the relationship between the power reflectance at the point of measurement
and at the termination.[15]
The opposite of power reflectance is power absorption, where the sound power absorption coefficient (10.02: ANSI S1.1-2013) describes the fraction of the sound power incident on a surface
that is absorbed, rather than reflected, where
. Like the power reflection coefficient, in a straight uniform tube A(f) is independent of the position x in the tube and dependent solely on the absorption coefficient at the terminating
reflecting surface.
Impedance/Admittance and Reflectance/Absorbance are Differently Affected by The Ear
Canal
Impedance/Admittance and Reflectance/Absorbance are Differently Affected by The Ear
Canal
In most clinical instruments, measurements of the aural impedance and reflectance
(and their associated quantities admittance and absorbance) are made via an insert
earphone and microphone placed in the ear canal at a distance of 1 to 2 cm from the
eardrum. The residual ear canal air space between the eardrum and the measurement
sight affects the measured impedance or reflectance in different manners. The added
air space acts to absorb and store part of the sound energy introduced by the earphone,
such that only a fraction of the stimulus sound energy works against the lateral surface
of the eardrum to drive the middle ear and cochlea.
In terms of impedance, the added load of the ear canal air acts like an impedance
in front of the impedance measured at the eardrum. In most cases, this ear canal contribution
to the measured impedance is significant, and the combined impedance needs to be compensated
for the presence of the ear canal before one can effectively describe the aural impedance
at the eardrum. The need for this compensation was the reason Zwislocki's acoustic
bridge measurements in patients were accompanied by measurements of the volume of
the patients' ear canal; knowledge of the ear canal volume allows some simple approximations
of its contribution to the measured impedance, however, such simple approximations
are only accurate at frequencies less than 1 kHz.[17]
The effects of the ear canal on the reflectance measured in the ear canal are more
subtle. Theory tells us the magnitude of the pressure reflectance |R(x,f)| together with the power reflectance R(f) and absorbance A(f) measured anywhere within a tube of uniform or slowly varying cross section equals
the magnitude of the pressure reflectance at the termination.[15] Therefore, if the ear canal fit those geometrical constraints (uniform or slowly
varying cross section), then the power reflectance measured at any point in the ear
canal, would equal the power reflectance at the eardrum. However, real ear canals
only approximate these geometric constraints, and there is evidence that power reflectance
and absorbance do vary when measured at different positions in an ear canal.[16]
[18]
Tympanometry Uses Variations in Static Pressure to Help Correct for The Ear Canal
Tympanometry Uses Variations in Static Pressure to Help Correct for The Ear Canal
All of the quantities we have introduced depend on the frequency of tonal stimulation,
and in general measurement of these quantities at multiple frequencies increases the
information available about the mechanoacoustic properties that constrain the behavior
of the TM and middle ear. Early measurements of the immittance made in human ear canals
were made over a range of frequencies using a series of pure tone stimuli that varied
from 0.1 to 2 kHz,[2] and such measurements helped distinguish various forms of conductive hearing loss.
The 2-kHz limit in these studies was related to the accuracy of the immittance calibration
and the methods used to compensate for the presence of the ear canal. It was these
complications that led later studies[19] to concentrate on one or two tonal stimuli of relatively low frequency and use variations
in ear canal static pressure to help estimate the contribution of the ear canal.
These early tympanograms (5.22: ANSI S3.39-1987) plotted variations in sound pressure within the ear canal
produced by a pure tone stimulus as a function of controlled variations in ear canal
static pressure, where the pressure variations were on the order of ± 300 daPa (equal
to ± 3000 Pa and approximately equivalent to static pressures of ± 300 mm H2O). Later devices were able to convert static pressure-induced variations in ear canal
sound pressure into variations in immittance and its components of resistance, reactance,
conductance, or susceptance[20]
[21]; however, these early tympanometers generally were restricted to measuring impedance
at one or two low frequencies, usually 226 and 660 Hz.
The common idea in any tympanogram is that the static pressure variation alters the
immittance of the TM and middle ear without altering the contribution of the ear canal.
More precisely, the common assumption is that the presence of significant static pressure
in the ear canal rigidifies the TM and middle ear, such that the immittance measured
with large static pressures is that of the ear canal alone. This high static pressure-determined
ear canal contribution can then be subtracted from the combined ear canal and TM immittance
measured with zero static pressure, with the immittance at the TM left as the remainder.
One complication in this scheme is that the TM is not made completely rigid by static
pressures.[17]
[22] Another is that the method of simply subtracting the ear canal component of the
immittance to reveal the immittance at the TM works best at low frequencies, where
the ear canal immittance can be described by a single compliance; this simple calculation
becomes inaccurate at higher frequencies where the distance between the measurement
point in the ear canal and the TM becomes larger than 0.1 wavelengths.[17] Finally, although the assumption of the invariance of the ear canal with varied
static pressure appears accurate in adult humans, it has been shown to be inaccurate
in infants, where the soft cartilaginous canal walls expand and contract with static
pressure.[23] These complications in correcting measurements of immittance for the presence of
the ear canal are some of the arguments for the use of reflectance/absorbance, where
these quantities appear less affected by the presence of the ear canal. Nonetheless,
some reports suggest a utility for measurements of reflectance at varied ear canal
sound pressure.[24]
[25]
Wideband Versus Narrowband Measurements
Wideband Versus Narrowband Measurements
The information gathered from ear canal immittance measurements about the terminating
immittance at the TM increases as measurements are made over a wider frequency range.
Low-frequency estimates can help describe the stiffness of the middle ear, but measurements
at higher frequencies appear more sensitive to the presence of fluid or other variations
in the mass and resistance at the TM.[26]
[27] An increased utility of measurements at higher frequencies has been demonstrated
in infants, where the immittance of the ear canal walls are dominated by a large compliance
at low frequencies.[23]
[27] Immittance and reflectance measurements at frequencies between 0.5 and 4 kHz appear
most useful in differentiating ossicular disorders.[28] Although the best estimates of immittance at the TM from ear canal measurements
appear limited to frequencies between 0.2 and 4 kH, primarily due to complications
in accounting for the presence of the ear canal,[17] power reflectance and absorbance (which are less affected by the intervening ear
canal) are routinely measured at frequencies as high as 6 to 8 kHz.[14]
[29]
Acoustic Reflex
Immittance/reflectance tests of the acoustic reflex depend on measurements of one
of these quantities made before and after presenting an ipsilateral or contralateral
sound stimulus designed to evoke a contraction of the middle ear muscles.[11] The basic clinical test uses a continuous single-tone probe stimulus (called the
probe signal [5.15: ANSI S3.39-1987], usually of a frequency of 226 Hz and less than or
equal to 90-dB SPL [7.3.5: ANSI S3.39-1987]) to measure the impedance/admittance.
Then a stimulus tone or noise stimuli of moderate level is presented to either the
ipsilateral or contralateral ear. The frequencies of the eliciting tones are usually
the common audiometric frequencies (7.5.2: ANSI S3.39-1987). The noise may be either
broadband or band-limited (7.5.3: ANSI S3.39-1987). The level of the eliciting tone-burst
is adjusted to identify the sound level that just produces a noticeable change in
the measured admittance. This is the threshold of the acoustic reflex (5.23.1: ANSI
S3.39-1987). Once the threshold is identified, suprathreshold stimuli of longer duration
can be used to quantify the time course of the reflex.[11] Presence of the acoustic reflex is a positive indicator for an intact ossicular
chain. Absence of the reflex is consistent with a conductive hearing loss (such as
otosclerosis or interruption of the connection between the incus and stapes) or a
neurologic disorder along the reflex pathway (such as a brainstem infarct or Bell's
palsy of the facial nerve segment between the stapedius muscle and the brain stem).
Wideband immittance and reflectance also have been used to estimate the threshold
of the acoustic reflex.[30]
[31]
[32] The thresholds estimated by these wideband techniques are ∼15 dB lower than the
thresholds measured with a single 226-Hz probe tone. The increased sensitivity of
the wideband tests has been attributed to either better signal-to-noise ratio in such
tests or to the frequency dependence of the effect of stapedial muscle contraction
on middle ear immittance[33]
[34] published in [Fig. 5] of (Peake and Rosowski 1997[35]). The higher sensitivity of reflectance measurements to stapedial contraction may
be significant when considering the possibility of iatrogenic hearing loss induced
by the high stimulus levels (>100-dB SPL) sometimes used to evoke the reflex in patients
with hearing loss.[30]
[36]
[37]
Calibration Methods
National and International Standards
The worldwide acceptance of tympanometry as a measure of middle ear performance has
led to the definition of national and international standards for the design and implementation
of tympanometers, that is, ANSI S3.39-1987 and IEC 60645-5. Much of the verbiage in
these standards revolves around the mechanism and specifications for changing the
ear canal static pressure, both in terms of the range of the static pressure variations
and the rate of change of these pressures. The standards are fairly open concerning
the sound stimuli used to measure immittance, either tonal or broadband, with constraints
placed on the sound levels used (the probe tone used to measure immittance should
have a level of 90-dB SPL or less, 7.3.5: ANSI S3.39-1987).[*] The methods are also fairly open concerning the technique for calibration, though
they suggest the use of acoustic standards, made of rigid-walled cavities of some
range of dimensions and equivalent volume, as reference immittances. Although useful,
the standards are not very descriptive regarding calibration methods, and the suggestion
of the dimensions of standard acoustic admittances are not practical when considering
measuring immittance and reflectance at frequencies above a few kHz. Therefore, in
cases of measurements of wideband immittance measurements, the different manufacturers
provide the hardware and describe procedures necessary to compute immittance and reflectance
values from measurements of sound pressure in ear canals and other acoustic loads.
Calibration of Equipment Ancillary to Immittance/Reflectance Measurements
The areas where calibration of the tympanometers and acoustic reflex measuring devices
should be checked are: (1) the frequency of the probe tone; (2) the impedance of the
probe as measured in a cylindrical air-filled cavity (1 cm3 in size); (3) the air pressure (measured with a manometer or U-tube); (4) the characteristics
of the tones used to measure the acoustic reflex—frequency, distortion, and level.
The standard specifies what characteristics should be provided with different types
of instruments. The different types are defined by the quantities that they measure
and the functions they perform. Devices with the greatest range of functionality are
type I devices (ANSI S3.39-1987).
The standard for aural acoustic immittance (impedance/otoadmittance) devices is ANSI
S3.39-1987 (ANSI 1987). There is also an IEC Standard, IEC 61027 for measurement of
aural acoustic impedance/admittance (IEC 1991). The ANSI standard describes four types
of devices for measuring acoustic immittance (listed simply as types 1, 2, 3, and
4; ANSI S3.39-1987). The specific minimum mandatory requirements are given for types
1, 2, and 3. There are no minimum requirements for the type 4 device. Types 1, 2,
and 3 must have at least a 226-Hz probe signal, a pneumatic system (manual or automatic),
a way of measuring static acoustic immittance, tympanometry, and the acoustic reflex.
Thus, to check the acoustic immittance device one may begin by using a frequency counter
to determine the frequency of the probe signal(s). The frequency should be accurate
within 3% of the nominal value. The total harmonic distortion shall not exceed 5%
of the fundamental when measured in an HA-1-type coupler (this is commonly called
a 2-cm3 coupler). The probe signal shall not exceed 90 dB as measured in that coupler. The
range of acoustic-admittance and acoustic-impedance values that should be measurable
varies with instrument type. The accuracy of the acoustic-immittance measurements
should be within 5% of the indicated value, or ± 10−9 cm−3/Pa (0.1 acoustic mmhos), whichever is greater. The accuracy of the acoustic immittance
measurement can be determined by connecting the probe to the test cavities and checking
the accuracy of the output at specified temperatures and ambient barometric pressures.
A procedure for checking the temporal characteristics of the acoustic-immittance instrument
is described by Popelka and Dubno[38] and by Lilly.[39]
Air pressure may be measured by connecting the probe to a manometer or U-tube and
then determining the water displacement as the immittance device air pressure dial
is rotated. If the SI unit of deca pascals (daPa) is used, an appropriate measuring
device must also be used. The air pressure should not differ from that stated on the
device (e.g., 200 daPa) by more than ± 10 daPa or ± 15% of the reading, whichever
is greater. The standard states that the air pressure should be measured in cavities
with volumes of 0.5 to 2 cm3.
Finally, one should check the reflex activating system. In checking the activation
of a contralateral or ipsilateral reflex, normally an insert receiver will be used,
which may be measured on a standard HA-1 coupler. The frequency of the activator may
be measured electronically directly from the acoustic immittance device. In this case,
one uses a frequency counter. Frequency, harmonic distortion, and intensity should
have tolerances that are similar to those required for an audiometer (ANSI S3.6-2010).
That is, frequency should be ± 3% of the stated value, harmonic distortion should
be less than 3% at specified frequencies for earphones and 5% or less for the probe
tube transducer or insert receiver. Noise bands should also be checked if they are
to be an activating stimulus. Broadband noises should be uniform within ± 5 dB for
the range between 250 and 6,000 Hz for supra-aural earphones. This can be checked
by sending the output through the transducer connected to a coupler, a microphone,
and thence to a graphic level recorder or spectrum analyzer. The sound pressure level
of tonal activators should be within ± 3 dB of the stated value for frequencies from
250 to 4,000 Hz and within ± 5 dB for frequencies of 6,000 and 8,000 Hz and for noise.
The rise and fall time should be the same as that described for audiometers and may
be measured in the same way. One should have daily listening checks as well as periodic
tests of one or two persons with known acoustic immittance to check immittance, tympanogram,
and acoustic reflex thresholds to catch any gross problems.
In summary, acoustic immittance devices should be checked as carefully as one's pure
tone audiometer. Failure to do so may lead to variability in measurement that may
invalidate the immittance measurement.
Sound Source Calibration: Background
The basic idea behind immittance calibrations is that the ratio of sound pressure
and volume velocity produced by a sound source is related to the acoustic “load” impedance
that is coupled to the source. With a calibrated sound source, a measurement of sound
pressure in an acoustic load can be converted to an estimate of the acoustic immittance
of the load. The relationship between source volume velocity and sound pressure is
very clear in the cases of ideal sources. For example, an ideal volume velocity source
will generate constant volume velocity no matter what load is coupled to the source,
so that the ratio of the measured sound pressure produced by the source in an acoustic
load and the constant volume velocity define the acoustic impedance of the load.
A reasonable approximation of an ideal volume velocity source is the cam-driven actuator
of a pistonphone sound calibrator (7.51: ANSI S1.1-2013). The piston phone creates a near constant
volume velocity at a set frequency, which when coupled to a precise rigidly enclosed
air volume will produce a precise sound pressure related to the value of the volume
displacement and the acoustic impedance associated with the enclosed air volume. However,
like all “real” sound sources a pistonphone only approximates the ideal, in that there
are circumstances defined by the mechanics and electrics of the piston phone where
the volume velocity it generates can vary depending on the acoustic load. For example,
in a load such as a water-filled cavity with very high impedance, the mechanics and
electrics of the cam drive may not produce the force necessary to move the piston
back and forth at its expected value.
Calibration of the Impedance-Measuring Equipment
Different impedance-measuring devices require different calibration techniques. Furthermore,
these devices are usually calibrated within the factory, and most user-based calibration
procedures are really tests of the calibration accuracy. For example, the user will
couple a tympanometer sound probe to a 1-cm3 acoustic volume and test to see if the measured immittance has a value consistent
with that volume; a failure of this test will lead to an investigation of the electrical
connections, or inspection of the sound delivery and microphone plumbing for wax or
other debris and may lead to a call to the manufacturer for service. The manufacture-described
calibration test procedure for wideband immittance or reflectance measurement systems
is more elaborate and requires measurements in multiple loads, but a failed test usually
produces the same result: checks for electrical and acoustic conductivity, and a call
to the manufacturer for maintenance and recalibration. For those readers wishing more
information on this issue, a detailed description of the calibration procedures is
included in an Appendix.
Determination of Measurement Accuracy
Paragraph 5.1.5 of IEC 60645-5 states that acoustic immittance measurement systems
should be accurate within ± 5%, or ± 0.1 cm3 or ± 10−9 m3/Pa-s, whichever is greater.[*] Tests of current home-built or commercially available broadband immittance devices
generally meet these standards over the frequency range recommended for these devices
by each of the manufacturers. Published comparisons of measurements of immittance
compared with the theoretical immittance of several kinds of standard loads are illustrated
in Rosowski et al,[40] Allen,[41] Keefe et al,[7] Voss and Allen,[42] and Lynch et al.[43]
Summary
There is growing emphasis on the use of wideband immittance measurements to aid in
the diagnosis and screening of conductive hearing loss (see, e.g., the recent supplement
published by Ear and Hearing [Feeney[44]] that resulted from extensive discussions of a group of experts in this field).
The consensus of this group is that although tympanometric measurements made with
one or two pure tones contribute to the detection and diagnosis of middle ear pathology,
measurements of immittance and reflectance made over a broader frequency range contribute
significant additional information in these areas. Present standards on the measurement
of acoustic immittance concentrate on single tone tympanometry and the use of single-tone
immittance for testing middle ear muscle reflex. Little is said regarding the calibration
of wideband devices, though both the U.S. and International standards require an instruction
manual that describes the manufacturer's recommended field calibration procedure.
Whether the more elaborate calibration procedures required for wideband immittance
and reflectance measurements should be subjected to additional standards is a point
for further discussion. A discussion that is already taking place concerns the temporal
frequency of such calibrations, where several laboratories endorse the frequent recalibration
of wideband immittance measuring devices, and others endorse regular checks to determine
if the device is consistent with the factory installed calibration. The manufacturers
generally recommend procedures that test the factory calibration of these devices,
where failure of such tests lead to simple inspections of the electrical connections
and sound tubes in the device, and may result in calls for service. The appendix can
add insight into the theory behind the calibration procedure and how one might test
the accuracy of immittance and reflectance measuring devices.
The Equivalent Source Description
There is an analytic technique ([Fig. A1]) for describing the limitations of real-world sources in terms of the combination
of an ideal sound pressure source with output PT
(f) and a “series”-coupled impedance ZT
(f) coupled to a load of variable acoustic impedance ZL
(f), where each of these component values can vary with stimulus frequency. The technique
depends on an early electrical engineering theorem postulated by a French engineer
named Thévenin. Thévenin's theorem relates the sound pressure produced in the load
to the sound pressure of the ideal source:
When the magnitudes of the load and Thévenin impedances differ by more than an order
of magnitude, Eq. A1 is consistent with ideal sources: when |ZT
(f)| is much less than |ZL
(f)|, the right-hand side of Eq. A1 approximates 1 and the source acts as a pressure
source where PL
(f) ≈ PT
(f) and the measured pressure is independent of ZL
(f).[†] When |ZT
(f)| is much greater than |ZL
(f)|, the right-hand side of Eq. A1 approximates the ratio of ZL
(f)/ZT
(f), and PL
(f) equals the product of the load impedance and the constant volume velocity produced
by the source, where UT
(f) ∼ (PT
(f)/ZT
(f)). Not surprisingly, under many circumstances |ZT
(f)| ≈ |ZL
(f)|, and the source is neither a sound pressure nor volume velocity source.
Simple Acoustic Loads
The equivalent source description of real sound sources depends on a series of measurements
in known acoustic loads of varied immittance, which then are used to compute the PT
(f) and ZT
(f) associated with the sound source. In single tone tympanometers, calibration loads
are usually closed cavities whose input admittance magnitude is defined by Eq. 1 of
the main text. The loads are usually air-filled rigid-walled cylinders with a length
1 to 3 times that of the diameter (10.2 ANSI S3.39 1987). The standard calls for a
minimum of three calibration cavities with recommended volumes of 0.5, 1, and 5 cm3; furthermore, the manufactured cavities must have volumes within 3% of their specified
values. According to the standard, the cavities and the sound probe (which couples the sound source and measuring microphone to the ear canal or calibration
load) should be designed in a manner that the probe is within a 1 mm of the cavity
opening when the two are coupled together in an airtight manner. The calibration cavities
on commercially available tympanometers are generally used only as a check of the
equivalent source output. The precise determination of the source parameters for each
tympanometer is performed in the factory and hardwired into the electronics and/or
digital processor of the device.
Although rigid-walled cavities with an admittance defined by Eq. 1 are useful for
testing and calibrating sound sources that measure immittance at low frequencies (e.g.,
f < 1 kHz), such models are limited at higher frequencies. Eq. 1 is an approximation
of a more general description of cavity load admittance that is only valid when the
dimensions of the cavity are less than 10% of the sound wavelength. Ten percent of
the wavelength of sound at 1 kHz is ∼3.5 cm. With calibration cavities of larger dimensions
or at higher frequencies, more complicated descriptions of cavity immittance are required,
where precise description depends on the use of simplified geometries. A common geometric
simplification is the use of rigidly terminated cylindrical calibration tubes ([Fig. A2]), where the diameter of the cylindrical opening is generally less than the length
of the cylinder (see Rabinowitz[17]; Allen[41]; Keefe et al[7]). In circumstances where sound propagates down the tube as a uniform plane wave,
and where we ignore the viscosity and thermal conductivity of air,[‡] the frequency-dependent input impedance of such an acoustic load ZI
(f) depends on the cross-sectional area S and length L of the tube, as well as the density ρ0 and the propagation velocity of sound c in air:
Examples of the magnitude and angle of the impedance of several rigidly terminated
calibration tubes are illustrated in [Fig. A3].
A second type of acoustic load that is simpler in conception and in its impedance,
but is somewhat more difficult to realize, is a long tube of uniform cross-section
that is terminated by an impedance equal to Z
0 the acoustic characteristic impedance of the tube.[40]
[43]
[47] In such a tube no sound is reflected from the opposite end, and the input impedance
of the tube equals Z
0. Theoretically, a tube of any length can be made to appear infinite by terminating
its far end with an impedance that equals or perfectly matches Z
0. In reality, any small error in this match will produce reflections that complicate
the impedance seen at the input of the tube. The use of a tube of finite but significant
length terminated by a matched impedance leads to a reduction in such reflections
as the small degree of reflected sound energy is absorbed by viscous interactions
with the tube walls along the tubes long length.
The long matched tube impedance has an advantage in that its impedance is nearly invariant
with frequency ([Fig. A3], tube D), and this impedance is insensitive to small errors in estimating the tube
length. On the other hand, the impedances of rigidly terminated tubes ([Fig. A2], Tubes A, B, and C) are highly dependent on the tubes' lengths, where the maxima
in impedance occur precisely at frequencies where the length of the tubes equals ¼,
1¼ . . . of the sound wavelength, and the minima occur at frequencies where the length
of the tubes equals ½, 1, 1½ . . . of the sound wavelength. In rigidly terminated
tubes, small errors in estimates of the tube length lead to significant errors in
the calculated impedance at frequencies near the minima and maxima.
There is a complication associated with the use of long-matched tubes: they are of
relatively low impedance at frequencies below 0.2 kHz ([Fig. A3]). Because of this low impedance, sound sources with limited low-frequency output
may not be able to produced measurable sound at frequencies below 0.2 kHz. Some authors
have compensated for this potential low-frequency failure by using matched long tubes
to characterize sound sources at frequencies above 1 kHz, and short rigidly terminated
tubes to characterize sources at lower frequencies (e.g., Lynch et al[43]
[47]; Rosowski et al[40]). Such an approach has the advantage that the source determination in specific frequency
ranges is only performed with acoustic loads with well-defined and regular variations
in magnitude and phase that are less affected by small errors in the measurements
of tube length or cross-section. Another approach is to overspecify the calibration
by measurements in three or more rigidly terminated tubes and determine the source
parameters that best fit the calibration data (e.g., Rabinowitz[17]; Allen[41]; Keefe et al[7]; Voss and Allen[42]; Rosowski et al[15]).
Determination of Equivalent Source Characteristics from Well-Defined Acoustic Loads
The definition of the equivalent source characteristic requires the measurement of
sound pressures in well-defined acoustic loads to determine P
T(f) the equivalent source pressure and ZT
(f) the equivalent impedance of the source. Rearrangement of Eq. A1, defines one of
the unknown parameters ZT
(f) in terms of the sound pressure PL
(f) measured at the entrance of a load with known impedance ZL
(f) and the second unknown PT
(f):
To define the two unknowns, we pair the results from measurements of sound pressure
in two loads of known impedance ZL1
(f) and ZL2
(f),[43] such that:
Once ZT
(f) is defined, it can be combined with the sound pressure measured in one of the known
loads, for example, PL1
(f) and ZL1
(f), and Eq. A1 to compute PT
(f):
With both ZT
(f) and PT
(f) defined, we can rearrange Eq. A1 to compute the impedance of an unknown load, for
example, in the ear canal, from a measurement of sound pressure in the ear canal PEC
(f):
An alternative to Eq. A5 and A6 is to use linear algebra to compute the solution with
lowest error for ZT
(f) and PT
(f) from a set of three or more measurements in different acoustic loads (e.g., Allen
1986[41]; Keefe et al[7]; Rosowski et al[15]). This technique has the advantage that the effect of small errors in the estimate
of the length of rigidly terminated tubes are reduced by the least-squares fitting
procedure.
Figure A1 The equivalent source model. The frequency and load dependence of any sound source
can be characterized by its equivalent source circuit. The circuit above uses the
electroacoustic impedance analogy,[48] where sound pressure is analogous to an AC voltage and volume velocity is analogous
to electrical current. The source is characterized by the two elements in the large-dashed
box on the left (an ideal sound pressure source with output PT
(f), and an impedance ZT
(f)). The source is coupled to a load of acoustic impedance ZL
(f). The text describes how the sound pressure measured at the entrance to the acoustic
load PL
(f) depends on the three other parameters.
Figure A2 Some simple cylindrical loads. Schematic diagrams of the cross section of four simple
acoustic loads of types used in calibrating acoustic impedance sources. (A, B, and
C) Three short cylindrical tubes of uniform cross section that are rigidly terminated
at their far end. (D) A significantly longer tube that is terminated by an acoustic
load (schematized by the dashed black end cap). The acoustic impedance of the terminating
load is matched to the characteristic acoustic impedance of the tube (see text description).
Figure A3 The input impedance of several short, rigidly terminated tubes and an effectively
infinite tube. The impedance looking into the open end of the four cylindrical tubes
with a radius a of 4.5 mm in [Figure A2]. The impedance is calculated for tubes of lengths of 1 (load A), 2 (load B) and
4 (load C) cm that are rigidly terminated at the opposite end (the blue, green dashed,
and red dotted lines, respectively). The blue long-short-dashed line is the input
impedance of load D, a tube 10 m in length that is terminated with a matched resistance,
that is, a resistance equal to the characteristic acoustic impedance of the tube,
where Z
0 = ρ0
c/(πa
2) = 6.4 × 106 acoustic ohms. The calculations include the contribution of viscosity and thermal
conductivity on the impedance.[43] At frequencies less than 1 kHz, the impedances of the rigidly terminated tubes are
of larger magnitude; the shortest tube has the largest low frequency impedance. The
impedances of each of the rigidly terminated tubes show a series of sharp magnitude
peaks and valleys, where the longest tube has the largest number of these extrema.
Associated with each peak and valley is a change in phase of ± π radians (180 degrees).
The magnitude and angle of the impedance of the long-matched tube (load 4) are nearly
constant across the measured frequency range.